The quality specs and features of the ARRI ALEXA XT are almost too numerous to list easily but a few of the most crucial ones include. This range is upgraded versions of the original Alexa cameras, which The range accordingly comprises the Alexa, the Alexa XT, the. The ALEXA XT adds a number of improvements to the base model ALEXA: in- camera ARRIRAW recording, internal ND filtration, an Open Gate active sensor.

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The SXR Module is on the left side of the camera. The camera features a sensor that is slightly slexa than a 65mm 5-perf film frame and is comprised of three ALEXA sensors that are arranged vertically and seamlessly stitched together. A sensor mode defines an aspect ratio, which defines the area on the sensor that is being captured.

Alexs while a sensor mode defines a certain number of photosites on the sensor, those may be recorded straight or up or down-sampled to create the pixels of the recording format. Exposure and Focus Tools. This range is upgraded versions of the original Alexa cameras, which are equipped with a so-called XR module, which replaces the SxS module on the cameras, and allows direct raw recording without the need for an external recorder.

The ALEXA 65 alfxa subsequently become the go-to large-format solution for high-end theatrical motion pictures. The reliability of ARRI cameras was outstanding and indeed a relief. Site links About Advertise Privacy Policy. A recording format define what is being recorded in-camera in the file. A super valuable and thorough write-up, thank you for sharing this overview. Digital movie cameras Film and video technology Cameras introduced in This method enhances low light performance and prevents the highlights from being clipped, thereby significantly extending the dynamic range of the image.

The Dual Gain Architecture simultaneously provides two separate read-out paths from each pixel with different amplification. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule. The XT is a cinema production camera of a very professional caliber and is basically ideal for high quality video capture of nearly any event.


ARRI ALEXA XT | Rocket Rentals

Ultimately, for me qrri an ALEXA Mini wasn’t a money-making decision but it was about investing in myself and my career. Latest News See All. Finally, the Exchangeable Lens Mount allows the use of PL, Panavision and stills camera lenses, extending creative options still further. Flexible monitoring options 4 independent monitoring outputs: Great write up and love the website. Open Gate ProRes 3. Overview The ARRI ALEXA family of cameras of cameras is well known and well regarded by many professional and even amateur cinematographers and the ALEXA XT model in aleax line adds a number of unique features to this mix that combine together to make a video production camera which delivers arir flexibility reliability and efficient workflow procedures.

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ARRI ALEXA XT | Rocket Rentals

It features in-camera recording to CFast 2. Choosing an EI setting that is higher or lower than the optimal setting will result in a sometimes surprisingly large loss of exposure latitude. A distribution format defines how the final product is delivered to the consumer. The camera has several methods of recording, including SxS cardsCFast 2. Further improvements included an internal ND filter unit, a 4: Wide range of media Four different types of media create unrivaled flexibility for rental houses and productions: Infinity War and Avengers: The Alexa Classic is still being rented and used on all kinds of projects eight years later.

Finally and most importantly, the ALEXA XT produces some truly beautiful imagery and video with both an overall quality and sharpness that definitely meet professional standards. Jamming has finished when the xy display stops flashing, then the timecode source can be disconnected.

Endgame will be shot entirely with the brand new camera, marking the first time a narrative feature arri was shot entirely with a customized version of Alexa 65 camera, Alexa IMAX. Furthermore, with the 4: Bad is a word that hardly fits in with descriptions of the ALEXA XT but because no camera or complex piece of electronic hardware is perfect, a couple of minor things are worth mentioning.


A look back at the history of the ARRI ALEXA

Here is the short list: Shooting through the viewfinder while using the Super 35 mm sensor and particularly doing it at the Open Gate setting produces some truly spectacular, classical film-quality results that are worth at least experimenting with.

In MayMarvel Studios announced that Avengers: About Newsshooter Authored by professional shooters from around the globe, Newsshooter is a place for professionals, educators, students and industry figures to discuss the practice and art aarri cinema in documenting the real world.

Standard real-time recording Pre-recording Intervalometer Stop Motion. In addition, they have a new viewfinder mounting bracket, include anamorphic de-squeeze and high speed licenses as well as a new, super silent wrri.

Contrary to digital cinema beliefs. Perhaps the biggest compliment the camera ever got was from Roger Deakins after he shot the James Bond film Skyfall.

Arri Alexa – Wikipedia

The net result is a superb overall image quality that manages to achieve its caliber with reliably efficient production workflow at low cost. These images are then combined into a single bit high dynamic range image.

A higher input voltage range allows more flexibility on battery choice. ARRI initially only built 30 cameras and due to the increased interest and high demand, they built another 40 cameras. You can use both traditional anamorphic lenses with a 2x squeeze factor like the ARRI Master Anamorphic lenses as well as anamorphic lenses with a alrxa.

And as for the 4: