Life. Born: 4 February Died: 7 August Biography. View the Wikipedia article on Eustache du Caurroy. General Information. Title: Missa pro Defunctis Composer: Eustache du Caurroy Lyricist: Number of voices: 5vv Voicing: SATTB Genre: Sacred. French composer, of good family. Singer, and later maître de chapelle, to the French kings from , he won prizes at the Évreux composition contests in
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Du Caurroy’s surviving music consists of a Missa pro eutache a collection of fifty-three Latin motets for between three and nine voices, “Preces ecclesiasticae” ; a collection of sixty-five French pieces of various natures, “Les Meslanges” ; and a collection of forty-two instrumental fantasias published in open score Du Caurroy also wrote instrumental music, including contrapuntal fantasies for three to six instruments. Denis eusfache the funerals of French kings for the next several centuries.
Du Caurroy served as composer to the royal chamber for three Kings of France, but in his own time was considered the equal of Orlando di Lassus in compositional prowess. He probably entered royal service around caueroy, and in is first mentioned in documents from the royal court, when he won a song competition: Finally, Du Caurroy’s fantasias are an exceptional set of instrumental pieces, the earliest such attributed works in French music.
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Eustache du Caurroy – ChoralWiki
They are from 3 to 7 voices. Views Read Edit View history. This page was last edited on 8 Septemberat It is a long composition containing the Libera me responsory, the chant for which is similar to the famous Dies irae.
His Missa pro defunctisfirst performed at the funeral of Henry IV of Francewas the requiem mass which was played at St.
Classical Net – Composers – Du Caurroy
In the collection “Les Meslanges,” Du Caurroy takes up some of the stylistic principles of Le Jeune, including the “musique mesuree” and other complicated compositional devices.
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Du Caurroy accumulated wealth and honours in the first decade of the 17th century, including benefices and a large estate in Picardy. Du Caurroy’s Missa pro defunctis is an extremely famous piece, and was performed at all the funerals for French Kings for nearly two ejstache years, earning it the apocryphal title “Mass for the funerals of di Kings of France.
His contrapuntal interest is best shown in his sacred music, of which the largest collection is the two volumes of motets, 53 in all, entitled Preces ecclesiasticaepublished in Paris in French classical composers French male classical composers Renaissance composers French composers of sacred music births deaths. Du Caurroy was primarily interested in counterpointand was widely read in the theoretical work of the time, including that of Gioseffe Zarlino cayrroy, who provided the best available summation of the contrapuntal practice in the 16th century.
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Recommended Recordings Recommended Work Recommendation to come…. Eustache du Caurroy baptised February 4, — August 7, was a French composer of the late Renaissance.
Eustache du Caurroy
In his motets, he is known as an austere composer of structurally involved music, though several of the motets for double choir are quite jubilant.
These posthumous fantasias — the most serious instrumental genre of the time, as opposed to Romantic ideas on the subject — are written for from three to six parts, with an astonishing depth of expression and an amazing imagination and variety of technique.
Marin Mersenne ‘s Harmonie universelle contains a setting by Du Caurroy of Pie Jesuwhich is a canon for six xaurroy.