Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . George Russell’s Lydian Chromatic Concept of Tonal Organization. The Lydian Chromatic Concept of Tonal Organization. George Russell’s book, The Lydian Chromatic Concept of Tonal Organization, first published in , was.

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Each Chromatic Order has seven principle confept. Is the current revised edition dramatically different from the previous editions? Tonal Gravity is measured vertically as well as horizontally.

Here was a means for breaking free from tonal cliches while maintaining some amount of restraint. Miles took his musicians into the studio for the first of two sessions for Kind of Blue in March, Russell believed that dominant function was the driving force behind all chromatif motion. The Lydian Scale was not chosen as the primary scale for this system of music theory because it sounds nice or has some subjective or historical significance.

From there on, it just gets a lot more complicated. Russell focuses on the Lydian mode because it can be built with fifths. What is a Lydian Chrkmatic Scale? Post Your Answer Discard By clicking “Post Your O, you acknowledge that you have read our updated terms of serviceprivacy policy and cookie policyand that your continued use of the website is subject to these policies.

Simply put, the basic building block of tonal gravity is the interval of the perfect fifth. The Major Scale is known as a diatonic meaning: Milestones, which was based on two modes He has given seminars in this work around the world and has personally guided countless private students.

Lydian Chromatic Concept of Tonal Organization – Wikipedia

There are 3 states of tonal gravity: So it’s a good thing that you edited your answer accordingly by adding some text and quotes about the perfect fifth. George Russell who at the time was working on his The Art and Science of Tonal Gravity. I was pulled towards the Concept, and through patience and research ended up discovering Andy. The unique quality of a perfect fifth can of course be motivated by the overtone series.


For example, if notes further up the circle of fifths e. What is the primary difference between the Lydian Chromatic Concept and all other theories of music? It explains and justifies this reasoning through the overtone series, interval vectors, and what is described as tonal gravity. The Lydian Scale exists as gonal self-organized Unity in relation to its tonic tone and tonic major chord.

Studies in the World of Foncept Improvisationp. The answers given here are designed to demystify some of the common misconceptions about the Concept while supplying information as briefly as possible.

Post as a guest Name. The minimalist apparitions of the “New Age” will be curiosities of the past, understood as the unfortunate byproducts of primitive prescription drugs that dumbed and numbed a good part of the population.

Tonal gravity is the heart of the Lydian Chromatic Concept. What is the Lydian Chromatic Concept? Russell builds a prototype chromatic scale starting on the Lydian Tonic by stacking fifths, skipping the interval between the seventh and eighth tones.

The recently published edition of the Concept goes into great depth and discussion concerning the historical and acoustical foundations underlying the Concept. Home Questions Tags Users Unanswered.

Russell’s theory has had far reaching effect especially in the realm of modal jazz. Sign up using Facebook.

The Lydian Chromatic Concept of Tonal Organization

All musical grammar and expression of this language evolves from the harmonic series. Chormatic would like to thank Maestro Russell, whose genius and perseverance created this tonal wonderland. When discussing this theory you need to dispense with functional harmony. Tonal gravity is the aural relationship between a given note and the fundamental of it’s prime-order lydian chromatic parent scale.


Retrieved from ” https: What is the aim of the Lydian Chromatic Concept? There are currently a small number of instructors in the United States, Europe and Japan who are formally certified by George Russell to teach the Concept.

George Russell’s Lydian Chromatic Concept of Tonal Organization

From Wikipedia, the free encyclopedia. Are there any historical and acoustical foundations underlying the Concept? Close though the frequencies may be, the 11th partial of the overtone series is almost always understood to be a flattened 4.

There is no “goal pressure” within the tonal gravity field of the Lydian Scale. Many people outside of music are drawn to The Concept due to its objective view of tonal gravity. The Lydian Chromatic Scale is the most complete expression of the total self-organized tonal gravity field with which all tones relate on the basis of their close to distant magnetism to a Lydian tonic.

To find out more about George Russell, click on this link to www. Lydian Scale is more closely aligned to the natural, universal properties of sound than the conventional major scale. I’m going to give a very cursory simplification for the answer because asking about Lydian Chromatic theory is just like asking about Set Theory or Serialism. The real argument for the Lydian scale is the fact that it can be generated by stacking 6 ascending perfect fifths on top of each other.

This page was last edited on 30 Octoberat Russell posited that tonal gravity emanates from the first seven tones of the Lydian mode. It is important not to conflate functionality with tonality.